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Harry Styles' 'Kiss All the Time. Disco, Occasionally.' Dominates Billboard 200 for Second Week

Harry Styles maintains his grip on the Billboard 200 chart with Kiss All the Time. Disco, Occasionally., while Johnny Blue Skies and P1Harmony make impressive debuts.

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Harry Styles' 'Kiss All the Time. Disco, Occasionally.' Dominates Billboard 200 for Second Week

Harry StylesKiss All the Time. Disco, Occasionally. is holding strong for a second week atop the Billboard 200 chart (dated March 28), following its debut at No. 1 a week prior. According to Luminate, the album garnered 99,000 equivalent album units in the United States during the latest tracking week, which ended on March 19. This figure represents a 77% decrease compared to its initial sum of 430,000.
Billboard ChartBillboard Chart

Kiss All the Time. Disco, Occasionally. marks the first album to maintain the No. 1 position for its first two weeks since Taylor Swift’s The Life of a Showgirl back in October 2025.

Also making waves in the top 10 of the Billboard 200 chart are new entries from Johnny Blue Skies & the Dark Clouds’ Mutiny After Midnight and P1Harmony’s UNIQUE.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption, measured in equivalent album units and compiled by Luminate. These units comprise album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA). Each unit is equivalent to one album sale, 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The complete chart for March 28, 2026, will be available on Billboard‘s website on March 24. Stay updated with all chart news by following @billboard and @billboardcharts on X (formerly Twitter) and Instagram.

Of the 99,000 equivalent album units earned by Kiss All the Time. Disco, Occasionally., SEA units account for 74,000 (down 47%, equating to 75.10 million on-demand official streams of the album’s songs, retaining the No. 1 spot on Top Streaming Albums for a second week), album sales comprise 24,500 (down 92%, slipping from 1-3 on Top Album Sales), and TEA units total 500 (down 33%).

Kiss All the Time. Disco, Occasionally. is the first album to hold the No. 1 position for two consecutive weeks since The Life of a Showgirl, which held the top spot on the charts dated January 3 and 10. Since then, the No. 1 spot has seen a revolving door of one-week leaders, including seven weeks of No. 1 debuts and two weeks where former No. 1s from 2025 returned to the top for a week each (Morgan Wallen’s I’m the Problem on January 17, and Bad Bunny’s DeBÍ TiRAR MáS FOToS on February 28).

Returning to the latest Billboard 200, I’m the Problem rises from 3-2 with 74,000 equivalent album units earned (down 3%).

Johnny Blue Skies (formerly Sturgill Simpson) & the Dark Clouds’ Mutiny After Midnight debuts at No. 3 with 59,000 equivalent album units earned – entirely from physical album sales. This marks the artist’s best week in terms of units earned or album sales. It is also Simpson’s second top 10 project, following A Sailor’s Guide to Earth, which peaked at No. 3 in 2016. Currently, Mutiny After Midnight is exclusively available on CD, vinyl, and cassette, with no announced release date for a streaming or digital download version.

Mutiny After Midnight becomes the first album exclusively available on physical formats to reach the top 10 in nearly three years. The last to achieve this was Taylor Swift’s Record Store Day-exclusive vinyl release, Folklore: The Long Pond Studio Sessions, which debuted and peaked at No. 3 with 75,000 copies sold on the chart dated May 6, 2023.

The first-week sales of Mutiny After Midnight were boosted by its availability across six vinyl variants, including a standard black LP, an indie store-exclusive red edition, and four variants exclusive to the artist’s webstore. The cassette edition was also sold exclusively via the webstore, while the CD was widely available.

Notably, the last widely available physical-only album to reach the top 10 on the Billboard 200 was nearly a decade ago, when Garth BrooksThe Anthology: Part I, The First Five Years debuted at No. 4 on the chart dated December 9, 2017, spending three nonconsecutive weeks in the top 10.

P1Harmony achieves its highest-charting album and second top 10 on the Billboard 200, as UNIQUE debuts at No. 4. The album earned 58,000 equivalent album units in its first week, marking the group’s best week by units earned. Album sales comprise 56,000 (the act’s best sales week, debuting at No. 2 on Top Album Sales), SEA units comprise 2,000 (equaling 2.22 million on-demand official streams), and TEA units make up a negligible sum.

The group previously entered the top 10 on the Billboard 200 with EX in 2025, debuting and peaking at No. 9.

The new album’s first-week sales were bolstered by its availability across 24 CD variants and five vinyl variants, all containing collectible items such as photocards, stickers, and posters, with some items randomized.

A pair of former No. 1s follow P1Harmony, as Bad Bunny’s DeBÍ TiRAR MáS FOToS falls 4-5 (57,000, down 14%) and Don Toliver’s OCTANE descends 5-6 (56,000, down 7%). Olivia Dean’s The Art of Loving dips 6-7 (55,000, down 6%), and Bruno Mars’ chart-topping The Romantic drops 2-8 (54,000, down 32%).

Tate McRae’s former leader So Close to What surges 20-9 with 43,000 equivalent album units earned (up 61%) following the release of its deluxe edition on vinyl and CD.

Rounding out the top 10 is the chart-topping KPop Demon Hunters soundtrack, stepping 11-10 with 38,000 equivalent album units earned (up 9%). The soundtrack marks its first gain in six weeks, following the movie’s double-win at the Academy Awards on March 15, when it won best animated feature and best original song (“Golden”).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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